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HUGUET, Jaume
Spanish Early Renaissance Painter, ca.1415-1492 Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),

 

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HUGUET, Jaume The Flagellation of Christ dg oil painting

Painting ID::  7646

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HUGUET, Jaume
The Flagellation of Christ dg
1450s Wood, 106 x 210 cm Mus??e du Louvre, Paris
   
   
     

 

 

HUGUET, Jaume Last Supper sg oil painting

Painting ID::  7647

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HUGUET, Jaume
Last Supper sg
c. 1470 Wood, 172 x 164 cm Museu Nacional d'Art de Catalunya, Barcelona
   
   
     

 

 

HUGUET, Jaume Triptych of Saint George (detail) sg oil painting

Painting ID::  7648

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HUGUET, Jaume
Triptych of Saint George (detail) sg
1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona
   
   
     

 

 

HUGUET, Jaume Triptych of Saint George (detail) af oil painting

Painting ID::  7649

X 
 

HUGUET, Jaume
Triptych of Saint George (detail) af
1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona
   
   
     

 

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HUGUET, Jaume
Spanish Early Renaissance Painter, ca.1415-1492 Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),